4.7 • 797 Ratings
🗓️ 3 September 2020
⏱️ 36 minutes
🧾️ Download transcript
It seems like time is up for George Gibney as Gary O’Toole goes on a mission to find more swimmers who may have been abused by the coach.
Credits:
Reporter: Mark Horgan Produced and written by: Mark Horgan and Ciarán Cassidy Co-Producer: Maria Horgan Research and fact checking: Killian Down Editing: Ciarán Cassidy Composer: Michael Fleming Sound mixing: Ger McDonnell
Theme tune by Aaron Dessner
Commissioning Executive: Dylan Haskins Commissioning Editor: Jason Phipps
Where is George Gibney? is a Second Captains Production for BBC Sounds
This podcast refers to child sexual abuse and contains interviews that some listeners may find upsetting, as well as some strong language right from the start.
If you've been affected by any of the issues in this series, please contact support organisations in your own country.
For a list of organisations in the UK that can provide support for survivors of sexual abuse, go to bbc.co.uk/actionline
Click on a timestamp to play from that location
0:00.0 | BBC Sounds, Music, Radio, Podcasts. |
0:05.2 | This podcast refers to child sexual abuse |
0:07.8 | and contains interviews that some listeners may find upsetting, |
0:10.9 | as well as some strong language right from the start. |
0:13.7 | Episode 2, we've been expecting you. |
0:16.7 | They were definitely around here when I saw them, |
0:19.1 | but they were just inching out. |
0:22.7 | Shit, they could have gone around to the left, Cass. |
0:24.3 | Fuck, will we go to Montgomery anyway, are we? |
0:26.1 | Yeah, yeah. |
0:27.0 | You think this is the way back to our house? |
0:29.0 | Fuck, that's the way back to our house. |
0:30.7 | Yeah, yeah. |
0:31.9 | Bullocks. |
0:35.4 | In the days after Cass and I first saw George Gibney, |
0:38.3 | Cass being our producer, Kiran Cassidy, by the way, |
0:41.3 | we try to find out as much as we can about Gibney's life today. |
0:45.3 | They'll be back at the gaff, you know? |
0:49.3 | When the time is right, I'll try and talk to him. |
0:52.3 | But we want to avoid a doorstep that leads to nothing and alerts him to us. |
0:58.6 | We want to understand how he lives his life today. |
1:01.4 | Where he works. |
... |
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