He's going in Joe Sucuray.

All right here.

Highless H-Y-L-A-S.

Highless and the Nymphs is the name of the painting, painted by John William Waterhouse

in 1896.

And one of the most recognizable of the pre-Raffier-Raffier light paintings was

taken down last Friday and postcards of the picture will be removed from sale in the shop at the

Manchester Art Gallery.

You're shocking me with this.

So we haven't heard anything yet.

Well, your teaser.

A statement on the gallery's website said it presented, said it, meaning the painting presented.

The female body is either a passive decorative form or a femme fatal.

Let's challenge this Victorian fantasy.

The gallery exists in a world full of intertwined issues of gender, race, sexuality and class,

which affect us all.

How could artworks speak in a more contemporary, relevant ways the statement read?

Visitors left post it notes in the space where the painting had hung with mixed responses to the removal.

Some called it politically correct and claimed censorship.

But the gallery's curator of contemporary art, Claire Gennway, told the Guardian newspaper

the aim of the removal was not to censor, but to provoke debate.

B.S. lady.

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