Hey you guys, it's Rainy and the synth has risen from hibernation.

But we know Keith's infamous synth is polarizing, so we made two episodes for you.

They're pretty much the same, but this one has the synth muted for most of the episode,

although it's up and atom for when it plays a critical role.

If you want a Zach calls it the artist experience, head over to the synth cut returns version

for full synthesizer immersion. It should be right next to this one in your feed.

It really is up to you. Enjoy the episode. Ramble.

Welcome to the tripod. Everybody was not an agree with the last episode that was almost a year ago.

Welcome to the tripod synth cut. We are going to be doing a synthesizer this entire episode.

If you don't like it, we'll see you next week. We have two synthesizers that we're playing with today.

This one's more about a noise machine for me right now. The other one's more of a,

I can build these songs pretty easily. But this one was a little awful.

Okay, let's slow it down.

Yes, yes. Let's separate the. I mean, I think our goal today is to build a new theme song,

specifically for rainy days. Wow. Okay, well then we need to...

I mean, we'll get there. We have a whole hour to get there. I don't think we just

went a whole hour doing this. I think you're wrong. How did you, what research went into

buying that? Because I'm sure there's a mini on the market. This is not. I would have thrown my

phone across the room by now. It kind of sounds like the the droning of the the bugzapper lamp

outside your porch. Yes. Here's something that sounds like a rainy day. Weirder. I had

ramen for lunch. Ramen for lunch. It was a vegetable ramen. I didn't really care for it.

I asked for extra tofu because I wanted protein. Sometimes ramen makes my joints hurt too much salt

...