I said it when we covered U. H.F and I'll say it now that we're covering each you the killer.

U.S.

Oh yeah, that's right. Ah, that's right. That's felt base laughter you're hearing is from our

guest this week on frame rate the show where we rate frames. I'm Michael

flame. I made that person and with us as our very special guest, please introduce yourself.

Hi, my name's Brooks Brown. Thank you so much for being here.

Thank you so much for having me to discuss what is I consider a very distinguished art house film.

Yeah, the cult following for sure.

The cut on Amazon begins with like the kind of thing

a Hitchcock Criterion collection.

It's like, this was shot in this place and then the nitrate was bathed in Italy and it was

transferred to this. And then Smash Cut to Come.

Yeah. So you can really be smelling the film and like really into it and then it's just good

texture of every moment that they really want to get across.

So I did tell myself I'd do a bit of a trigger warning only because

Oh, it's a little too late. Sorry about that.

As lovers of film, we love all kinds of film and that also has to include the

extremity of film. But I think up till now we haven't if people are just like

see this title in their feed and go I'll check it out before I listen to the episode this is not that movie

yeah so this movie revels in violence, particularly violence against women.

We'll unpack, I don't know if it's okay or not,'ll discuss that but basically my defenses

Takashi Mique the director is notable and graded as craft there's just no way around

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