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The Star Attraction, the one you came to see.

Ladies and gentlemen, the one, the only Miss Judy Goldie.

I just for the listeners, if you could just explain the process that it you know what it

takes from just optioning a show from seeing something you I don't think people realize how much it takes to get

that show up there and and how many people are involved and why you know the theater beyond any sort of

television I mean there's no editing there's no live. Yeah. And that's why the Tony Awards for me, all the other

shows, all the other award shows, I'm just like, okay, great the Tony awards I mean the fact that people

all over the world can see what I mean it's amazing these people are so

talented so it could you just like say you

you read a book or you like you went to that show and said, oh, this would make,

or you saw something at some tiny little theater

or black box there.

What, how, how, what does the process for that

to then become?

Well, it's kind of different for different beginnings. So there are those

projects that start from an idea. Right. In the case of Kinky Boots it was a small

British film that I saw and optioned the film and then put together you know the

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