No Jumper, coolest podcast on the world.

And today I'm in here with my man, Remo,

and we're bringing y'all the long-awaited

Rugrat interview with my man track in the building as well.

You know, what the way?

Look at unbelievably fly over there just for the record.

Boosey fade.

Boosey fade and a little bill.

Just a call out the obvious.

A little Bill and Larry Bird.

He's glimmering.

Track like the last big, like, music mobile of the, like, new generation, right? That's kind of how it feels, right? You don't really see so many people doing that. Like, you do it. Like, you have the bird man. You have the, you know, the master piece. see what Birdman and young boy dropped me and track about to drop some on the air.

He might be back in that booth.

No, but for the record, I met him

because he was dealing with Kodak and sniper gang and everything. And then all of a sudden he comes through one day and tells me about Melly. And then Melly gets locked up. All of a sudden he comes through with Vaughn. I'm like, you're gonna keep being able to pivot all right and then

like maybe there's a little gap after that then you bring us the new dallas and all that shit

and then as soon as i seen that you were working with rugger i'm like man track just keeps doing

it what's going on it's crazy man eye for talent is gets the job done. A lot of people can eye up talent.

It's a different thing to really get it done.

Yeah, you treat people too.

Like, that's how you still got connections with, like, everybody, like, all the way down to Kodak can't bid. How long ago? By 10 years ago, man. Been a lot of thing with Kodak for about 10 years. I know. And that's why when I seen you doing the feature of Kodak, I'm like, oh, okay.

Track doesn't call in that for everybody.

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