Hey, everybody. We're back with another ball. We've pulled podcasts. This is the second

and our plan for part series. Well, probably fifth with a wrap-up of us going through

two episodes at a time, considering Netflix's new mind-bending, what the hell is going

on, 1899. By the way, Jim, I still don't know what the hell is going on for episodes in.

Okay. Well, don't ask me because I don't like hells going on either.

I feel like the paths are getting more and more windy rather than like we're halfway

through, but that makes sense. Halfway through a puzzle box, everything should be the most

exploded. In fact, I could go with another two episodes of explosion before they have

to start to bring things back to the end of the season. But yeah, I like the end of

episode three. This guy's got this, you know, connect for board that he's playing with.

This slide puzzle, yeah, with triangles on it. And like the circuit board that the captain

just said that I was one of the new changes they made when they dried up the ships for

three months. And it's like it's making the circuit the, you know, this link that they've

got with the boilers. And I'm like, oh, man, the Prometheus is going to turn on and do

something wild. And then they go through the outside view of the two ships. And I'm looking

at the dark Prometheus. I'm waiting for the lights to turn on. And then the fog just sucks

into the Kerberos and the fucker disappears. I'm like, that's, yeah, there's no, like,

you know, there's no explanation for that in 1899 or 1978 technology. That's just fucking

weird, man. Or 2022 technology. Yeah. Though it's crazy. I really love, I love the aesthetic

of this show and dark like dark had a lot of this too, where like the, if they're doing

time travel stuff, if they're doing teleporting stuff, whatever their technology looks not

steam punk. It's like mechanized in a way that is really cool. It's more of like Dr.

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