Hey everybody welcome to another episode of Cohen Brothers Brothers

and boy are we excited about this one Michael? Oh boy no kind of

Wait was that a question? Yes, we are excited about this one,

well it's what, you said it in a previous podcast, it's one of your favorites.

I think it's one of everyone's favorites of all time in film, having one best picture and etc.

And we're especially excited I think coming off of

did we you said it's the Cohen brothers brothers right?

Yes I did.

All right and we both said our names incidentally so we're good to go. Yeah. Yeah we can just get over ourselves and move on. Yeah. Yeah, 2007's no country for old men put out by Miramax. I think it's especially gratifying because we're coming off of

movies that I found very very

fulfilling to cover but also are widely considered like a bit of maybe they lost their way

a bit they did an adaptation and they picked up a script that they didn't write themselves originally and in both cases I thought there was some funny results but people didn't really care for them and then no country

The boys are back in town you know what I mean? Oh country, the boys are back in town.

You know what I mean?

Oh my God, the boys are always back in town.

This is Peak, this is Peak, cone brothers.

I think as peak as it gets to be honest with you. Yeah, it's one of those wonderful Oscar darlings

that was also made a shit ton of money.

It was a budget of 25 million and it made box office 172 million in its initial run.

And incidentally, I think you'd agree one of the only times that the Oscars pick for best picture is

defensible and will be defensible forever.

Yeah. Like it was the correct pick so to speak.

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