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Dan? Dan, are you there? Please, we are so lost and the darkness is closing in.

Where are you? Where in a museum? Is it working? Yeah, he's there. Keep on look out. The curator.

Sorry, though, from the president of the curator, he put us here. We asked for the food, an object

that would let us travel to and from the city at will. And he said that we could find

it ourselves in this museum. It was supposed to just give you the... Okay, describe your

surrounding. What is... Blue, get back here! What's happening? Shictip!

You alright? Yeah, it wasn't a big one. You good taking point? Get over by that wall.

It's more defensive. The museum shifts every so often. It feels like around 30 minutes or

so, but you know how time is out here. Yeah. What are you seeing now? Right now. We're in

a hallway. It seems to go on for a while. Only lights are the display cases. There's a lot

of them. All masks. It's not a good idea to look too long at the displays. You start to

see things out of the corner of your eye. A few shifts ago, there were these paint

takes of these helium landscapes and we're not going to look at the exhibits anymore.

Yeah, that's smart. Did the curator... The representative of the curator. Super clear on that

point. Shictip. Yeah, he was in one of the tapes. Wait, for real? Did he say anything that

could help us? No, no, the curator likes to examine people. So does the messenger actually

think that's a recurring theme? The curator likes to alter them. It's a thing. This was

all a bit unclear, but it seems like people who are trapped become... Well, they become

...