Hey everyone welcome back to the screenwriting life. I'm

Lorian McKenna and Meg isn't able to join us today but we are thrilled to be

able to get to talk with David Hemmingson and he wrote The Holdovers.

One of the year's most acclaimed movies with David Scripps having already won over a dozen industry and critics awards

and is nominated for nearly 40 prizes overall, including a BAFD nomination and a national board of

review wins so congratulations for that and welcome to the show.

You have nearly three decades worth of TV writing experience from animation to network comedy, hour-long procedurals, and now a feature film.

I know, it's crazy.

I'm always, it's always so fun for me when I introduce people and then I'm like and go and it's like hi.

I'm journeyman writer David Hemmingson nice to meet you.

So before we get into our chat, we're going to do Adventures in Screenwriting,

where we're going to talk about our week, so I'll go first.

This week, I, well, this last weekend actually, I was, well this last weekend actually I was working on a script and I had pages

due and I had a story problem that I couldn't solve. I got a note that was pretty big and I couldn't

figure out how to solve it and for a second I was like oh I'm going to spin out about this and then I thought wait what if I don't what if I do something that I like doing and so I read a book that has nothing to do with screenwriting

or anything I might adapt.

It was just pure silly fun.

And so I read for an hour and then I paused and then I realized that as I was reading the

story issue was sort of churning in my head in a way so that I was getting a little further

each time and after a couple of hours back and forth of this I I was able to

tackle the problem deliver the script and I felt really good about it I didn't have that usual push send and then spin out.

Oh my God, what am I going to get the fee? I actually said out loud to my husband, I'm a really good writer.

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