Hello, my name's Justin Cluhrner here today with Will Sloan.

And you're listening to the Important Cinema Club.

And today, we're following up the original with something just as good.

Yeah, that's right. We're doing an episode on sequels.

Boy, Justin, it's the summer. It was 27 degrees Celsius today.

Nothing like getting out of the heat, going into a nice air-conditioned auditorium, popping some corn. You got your brusky or a cola. I don't want to think. That's why I'm going to watch a sequel, which is just pure entertainment. You roll Godfather, too, and let me enjoy it. Big blockbuster, the sequel to a movie that you love, favorite character's back, the

Hangover Boys are here and are having another adventure.

It's independent stay once more, resurgence.

Oh man, another trip to Jurassic World.

Yeah, hey, Jurassic Park 3 is the best of the sequels, but that's for our episode on,

what is that?

Jurassic Park, Joe Johnston?

Yeah, our Joe Johnston episode.

Yes, ladies and gentlemen, we're talking about sequels.

Much maligned, known as just pure exploitation.

And we watched three for this episode.

First of all, that's an antiquated notion.

Because, of course, there was a time in the 70s,

movies like the French connection

to the sting to movies that were just cash grabs oh I prefer John Frankenheimer's

French connection to to William Freitken and it was just you know an assumption that the

sequel is never as good as the original it just it just repeats the formula and isn't that

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