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Man, I hate it when I do technical work before we start the show.

You know what, when you have your own little project like this and you do a lot of

stuff on your own right that is a moment where I truly wish that I had somebody to

whisk in and do it for me I'm great at doing little funny voices and

having material but when I have to adjust my own settings and do the little

tweaking and the little audio tweaking and Oscar by the way whenever we're doing that you're not allowed to step out of the room because it's like working with a deaf man.

Oh, I apologize. I figure that he was helping. You don't hear it, do you? You don't hear it, you don't hear it.

Is it, is it? Are you ready to admit to it that you don't hear any of the nuances of levels and stuff? You can admit it and I will embrace it.

All right, then I'll admit it because it'll be the easiest way to go.

Do you hear the clipping though? No I heard everything he was talking about. I heard the electronic sounds. I heard the gating when he was talking songs. I think you can hear those. It's not a registered thing. Can you hear that? That's at every level. When you clip clip on a mic you hear it at a low level a high level you hear it.

Yeah so I don't think it's Rob I just don't do it because it's the easiest way to go. Well you've been after me for three years to say I'm deaf so I mean well no no no you are when we do levels from Florida to DC when we're doing our right little tweaking you know and when you're making little adjustments, you know, I...

Rob, let's call it is. You've lost hearing.

All right, well, I think we all have, but yes.

Okay. No, no, no, no.

I'm the deppist of the bunch, but I have my head, no, no, no, no.

Why do you get so mad it is just a it's just a it's a it's really a result from working with headphones at the level you've been working at

I suppose it's okay to be deaf at least I can talk well now I

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