So Alex, I've been thinking about how there's like a kind of story that we do.

And I like that we get to do it where we'll hear about something surprising or unexplainable

that's happened and we'll go talk to the people that were there and learn a bunch of stuff

and make it make sense. Like we'll explain it and it's a fun thing to get to do.

But there's this other kind of story which in my real life I enjoy a lot which are stories that

cannot be made to make sense. You know the kinds of stories where it's late at night you're

talking to a friend and you're like, do you believe in ghosts? And they're like, well no, but

there was a thing that happened one time. Yeah. And I want I want to do that on the show. Like I

want to do an episode of scary stories. Oh yeah. Yeah, there's been a lot of iterating on that.

What do you mean a lot of iterating on that? Well, you know that I wanted to do like a soundscape

fiction horror story on our show, right? No, I think I've been protected from this information.

Oh yeah, yeah. I definitely wanted to do one which was like starts out me and the studio.

I'm like recording credits or whatever. Like that's how the show opens. I found footage.

You know, let's just hear it. Ready? Take one. Just do your idea. Okay. Sitting in the studio.

I'm reading the credits. No, read the credits. Oh, reply also is to be by PJ vote. NBL

Scolbin. The show's produced by Shruthy Piedemannie. If you have been in,

don't be on a Marquetti. Then so then my wife calls and I'm like, yeah, I'm in the studio by

myself. Everybody. I mean, you're like a bring-brain. Yeah, go ahead. Bring bring bring bring.

Hey, Sarah, what's up? Yeah, it's like, I think I'll be home in like 20 minutes. Everybody

else has left the studio. Are you fighting with me right now? I just have to finish recording

the credits. So it'll take me 10 minutes. I just have to cut them together and then bye.

So then I'm in the studio like doing, I'm reading the credits again. Then suddenly I hear like a

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