1489: Sonnet Overheard at Phone Booth by Elane Kim
The Slowdown: Poetry & Reflection Daily
American Public Media
4.8 • 1.3K Ratings
🗓️ 8 April 2026
⏱️ 8 minutes
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Summary
Today’s poem is Sonnet Overheard at Phone Booth by Elane Kim.
The Slowdown is your daily poetry ritual. In this episode, Maggie writes… “The sonnet has survived multiple centuries by always adapting. In a contemporary sonnet, poets are altering its shape and rethinking what the container can hold. Women in particular have transformed the formal tradition of the sonnet in America — poets like Wanda Coleman, who invented the unrhymed American Sonnet. Other women who helped transform the contemporary sonnet are Gwendolyn Brooks, Rita Dove, Patricia Smith, Monica Youn, and Diane Seuss. Today’s poet is part of this tradition. If a sonnet is about turning to the unexpected, then the poet takes it further by looking in unexpected places.”
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Transcript
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| 0:00.0 | During National Poetry Month, pass a poem along. Your gift to the slowdown turns your |
| 0:06.3 | personal listening ritual into a public good, helping classrooms, caregivers, commuters, and late-night |
| 0:14.1 | listeners to experience a few grounded minutes of poetry and perspective, free of charge. Your support today widens the circle, |
| 0:24.1 | so tomorrow's episode finds someone who needs it. Pass a poem along when you donate today at |
| 0:31.6 | slowdown show.org. I'm Maggie Smith, and this is The Slowdown. |
| 0:53.5 | I hope you don't mind if today I geek out on a particular poetic form. |
| 1:00.6 | The Sonnet. |
| 1:02.0 | From the Italian sonneto, or little song, |
| 1:06.6 | the sonnet is one of the most recognized forms in English. |
| 1:11.9 | There are two different kinds of traditional sonnet, |
| 1:15.6 | Shakespearean and Petrarchan, |
| 1:17.7 | and although their rhyme schemes are different, |
| 1:21.8 | they have a lot in common, |
| 1:24.4 | both 14 lines long, |
| 1:26.8 | usually written in iambic pentameter, the meter that sounds like, |
| 1:32.4 | ba-dam, badum, badum, bad-um, bad-um, bad-dum, and they both contain a sonnet's signature turn, |
| 1:40.6 | the Volta. Volta is a musical term for a turn. |
| 1:46.9 | It's a point of transition, either grammatically or conceptually. |
| 1:53.1 | The Volta is the, but wait, think again, not so fast, moment in the poem. |
| 2:00.7 | It is a poetic plot twist, a complicating of the poem. |
| 2:06.9 | We think of a sonnet as expressing an initial idea, but then there is a turn to something |
| 2:14.5 | else. A sonnet presents a problem and then an answer, but often not the expected one. |
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