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Welcome to the Love Life podcast with me, Matthew, I see, and me, Praver, Steven, I see.

Is now of you been watching Ted Lasso? Is that what that is? Are you trying to capitalize

on the Roy Kent female fancy? That's not Roy Kent.

Oh, isn't it? Oh, this? That was more, I would say that was more Ray Winston.

Oh, right. I think everyone's going to think you're doing Roy Kent.

No, this is Roy Kent. I get it in the bloody stick it in the bloody go. You're talking shit.

Roy Kent's much more like this. Do you play that up in LA when you get in your coffee?

No, because Roy Kent has a voice unlike anyone else in the world. It's sort of bizarre.

It's a bizarre voice even for an English person. No. I don't, I don't have it up.

I forget sometimes that I have an English accent at all. I guess in LA they're a bit unimpressed,

aren't they? They're over it, Steve. They're over it. If you want to be

impressive with an English accent, you need to go to somewhere like, you know, Baron and,

you know, somewhere where there's no civilization like where Jameson's from.

Sacramento. Great. You said it. I was going to try to, I was going to try to defend Orange

Vale, but then I realized you're accent when murder in Orange Vale. So I'd kill it, mate.

Yeah. Yeah. But then they all think I'm Australian. Steve, I get Australian all the time here.

I don't, they think I'm Australian more than they think I'm English. Yeah, I can see that.

You know what I like to, what I like to gauge it off of is who stars as the leading man

in these movies, clearly written for women. And there's been a streak for about five years,

which is always either an Aussie or an English guy or a New Zealander. Just never an American

guy leading for like, there's always an American woman. And her biggest love interest is going

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