I went up to Canada where we sold the movie and I worked for somebody else.

So when I went up to Canada, you know, I traveled with the movie as an emissary same way I would

in the past, whereas in the States, time around that every dime we made was or

wasn't spent was coming out of our pockets so we played it you know it was ours

above it was theirs and it was ours. Up above it was theirs.

And it was weird.

I did bristle once or twice just being,

I won't call it owned, but I had to do it their way,

not my way.

Like we had utter freedom with this flick,

doing it our way down here, and it proved smart,

financially sensible, inspiring, you know,

created more value for something

that might not have had that same

value coming out the gate without any undue attention different attention.

So for us I don't know it was a it was kind of exciting.

Well it's such a bold move because it really is the right time, but someone has to jump in and say this is the right time.

Yeah. Someone has to jump in and say, I have such a connection with social media and you know essentially a

gigantic amount of my supporters and fans can find me they know what I'm doing and

they're aware they're tuned into it on a regular basis so you can just say

hey boom here's my movie I had a theory because I could I could put

asses and seats for just me standing there talking to do a lot of that right I do a lot of it and

...