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The History of Egypt Podcast

133: The Heretic King

The History of Egypt Podcast

Dominic Perry

History, Society & Culture

4.8 ‱ 2.1K Ratings

đŸ—“ïž 9 September 2020

⏱ 62 minutes

đŸ§Ÿïž Download transcript

Summary

Erasing a God. Sometime in his reign, Akhenaten initiated a project that has made him infamous. The King’s agents, sculptors and masons travelled throughout the country, visiting major temples and shrines. Their job? Hack away the name and figure of Amun, King of the Gods, wherever they found it. This project is the most controversial of Akhenaten’s reign. Today, we dig into what happened, and why the King did it.. Date c.1347 BCE www.egyptianhistorypodcast.com Website: www.egyptianhistorypodcast.com. Support the show via Patreon www.patreon.com/egyptpodcast. Make a one-time donation via PayPal payments. Music by Keith Zizza www.keithzizza.com Music by Ancient Lyric bettinajoydeguzman.com Select Bibliography: Aldred, Cyril. ‘Two Theban Notables during the Later Reign of Amenophis III’. Journal of Near Eastern Studies 18, no. 2 (1959): 113–20. Aldred, Cyril. Akhenaten: King of Egypt. New York: Thames & Hudson, 1988. Allen, James P. ‘The Religion of Amarna’. In The Royal Women of Amarna: Images of Beauty from Ancient Egypt, edited by Dorothea Arnold, 3–6. New York: Metropolitan Museum of Art, 1996. Assmann, Jan. Egyptian Solar Religion in the New Kingdom: Re, Amun and the Crisis of Polytheism. London: Taylor & Francis Group, 1995. Bell, Lanny. ‘Luxor Temple and the Cult of the Royal Ka’. Journal of Near Eastern Studies 44, no. 4 (1985): 251–94. Bennett, John. ‘The Restoration Inscription of Tut’ankhamĆ«n’. The Journal of Egyptian Archaeology 25, no. 1 (1939): 8–15. Blyth, Elizabeth. Karnak: Evolution of a Temple. New York: Routledge, 2006. Brand, Peter. ‘Secondary Restorations in the Post-Amarna Period’. Journal of the American Research Center in Egypt 36 (1999): 113–34. Bryan, Betsy M. ‘Hatshepsut and Cultic Revelries in the New Kingdom’. In Creativity and Innovation in the Reign of Hatshepsut, edited by JosĂ© M. GalĂĄn, Betsy M. Bryan, and Peter F. Dorman, 93–124. Chicago: The Oriental Institute, 2014. Bull, Ludlow. ‘Two Egyptian Stelae of the XVIII Dynasty’. Metropolitan Museum Studies 2, no. 1 (1929): 76–84. Dodson, Aidan. Amarna Sunrise: Egypt From Golden Age to Age of Heresy. Cairo: American University in Cairo Press, 2014. Dodson, Aidan. Amarna Sunset: Nefertiti, Tutankhamun, Ay, Horemheb, and the Egyptian Counter-Reformation. 2nd Edition. Cairo: American University in Cairo Press, 2017. Fischer, Henry G. ‘An Early Example of Atenist Iconoclasm’. Journal of the American Research Center in Egypt 13 (1976): 131–32. GalĂĄn, JosĂ© M. ‘EA 164 and the God Amun’. Journal of Near Eastern Studies 51, no. 4 (1992): 287–91. GalĂĄn, JosĂ© M. ‘Hymns to Amun-Ra and Amun in the Tomb Chapel of Djehuty (TT11)’. In Joyful in Thebes: Egyptological Studies in Honor of Betsy M. Bryan, edited by Richard Jasnow and Kathlyn M. Cooney, 183–96. Atlanta: Lockwood Press, 2015. GulyĂĄs, AndrĂĄs. ‘The Unique Amun-Re at Luxor Temple’. In Current Research in Egyptology 2005, edited by Rachel Mairs and Alice Stevenson, 6:22–37. Oxbow Books, 2007. Johnson, W. Raymond. ‘Amenhotep III and Amarna: Some New Considerations’. The Journal of Egyptian Archaeology 82 (1996): 65–82. Krauss, Rolf. ‘Akhenaten: Monotheist? Polytheist?’ Bulleting of the Australian Centre of Egyptology, no. 11 (2000): 93–101. Manuelian, Peter der. ‘Semi-Literacy in Ancient Egypt: Some Erasures from the Amarna Period’. In Gold of Praise: Studies on Ancient Egypt in Honor of Edward F. Wente, edited by Emily Teeter and John Larson, 285–98. Chicago: The Oriental Institute, 1999. McClymont, Alice. ‘Action, Reaction & Interaction’. In Tradition and Transformation in Ancient Egypt, edited by Andrea Kahlbacher and Elisa Priglinger, 105–22. Vienna: Austrian Academy of Sciences Press, 2018. Murnane, William J. ‘The Bark of Amun on the Third Pylon at Karnak’. Journal of the American Research Center in Egypt 16 (1979): 11–27. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Hi everyone, this is Scott. If you want to learn about the world's oldest

0:05.0

civilizations, find out how they were rediscovered. Follow the story of

0:10.3

Mark Antony and Cleopatra's descendants over 10 generations or take a deep dive into the Iron Age or the Hellenistic era,

0:19.2

then check out the Ancient World Podcast.

0:22.4

Available on all podcasting platforms or go to ancient world podcast.com.

0:28.0

That's the Ancient World Podcast.

0:35.0

Hello folks, Dominic here. Once again, the events of this episode are uncertain in terms of dating and chronology.

0:42.0

Aikenatin's heresy may have taken place early or late in his reign,

0:47.0

and it could have happened in a short amount of time,

0:50.0

or over the course of many years.

0:53.0

In 2020, it is still uncertain, there is no scholarly consensus.

0:58.0

So bear that in mind as we dive into Arganin's most infamous decision.

1:05.0

The King dies not who is mentioned by reason of his achievements.

1:14.0

King Sinusaret I, circa 1950 B.C. in his White Chapel at Karnak, dedicated to Amun, king of the gods.

1:26.8

One day around 1347 B.C.E, a group of men came to an ancient Egyptian temple. They were masons, stone-carvers, who worked

1:37.3

for the king and served his royal house. On the ruler's behalf, these masons carved hieroglyphs and images for temples.

1:46.0

They recorded texts on walls of stone as monuments or achievements by which a king and a god might live forever.

1:55.0

It was important work that helped create the sacred spaces of temples, of tombs and monuments.

2:02.0

The stonemasons were agents of immortality. Today, though, they came

2:09.2

with a different purpose. One day, around 1347 b.C.E. Royal Stone Carvers arrived at temples in the city of Wased, aka

2:20.4

Thebes. Here at temples like Karnak or Luxor Temple they erected scaffolding against

2:28.1

walls and columns. They clambered up the scaffolds to reach images, hieroglyphs and reliefs that depicted the great gods,

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