Welcome to season 3 episode 19 of the Jordan B. Peterson Podcast,

I'm Westwood One Podcast Networks, Joey Salvia.

And I help produce this series.

We thank you for joining us for these 2017 lectures based on Jordan Peterson's book,

Maps of Meaning, the Architecture of Belief.

This week, we present part 3 of Marionettes and Individuals.

In this lecture, Dr. Peterson concludes his analysis of the Disney film Pinocchio,

which he conducted to illustrate how archetypal, mythological themes permeate popular culture.

Maps of Meaning 4, Marionettes and Individuals, Part 3,

put Jordan B. Peterson lecture.

My plan is to finish this today.

So, and then we'll go into the more concrete details now that you've got some sense of the way that a narrative like this can unfold.

So, if you remember, we were just leaving this terrible little bar,

which I think was called the Red Lobster, something like that, where the fox and the cat had met the coachman.

And the coachman is obviously someone who takes you somewhere.

He takes you on a trip.

And the coachman basically revealed himself.

First, he kind of looks like a, I guess, a somewhat jolly old man, although his expression doesn't precisely read as jolly.

And then he reveals himself as something positively satanic.

And that's enough to terrify these two-bit thugs, the fox and the cat, who think they're tough, but really aren't tough at all.

So, they see at some point what they're really tangled up in.

And I think I mentioned to you that that was something akin to Jung had this idea that people's shadows reach all the way down to hell, which is a very frightening concept.

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