This is an I-Heart podcast.

Guaranteed Human.

It's 12.11 a.m. in Torneo, Texas.

And you're listening to Night Call.

Hello and welcome to Night Call, a call, a call-in show for our dystopian reality.

My name is Emily Yoshita.

I'm in Los Angeles.

And with me on the other line are Molly Lambert and Tess Litch.

And later on in the show, we're going to be joined by our special guest, Sadie,

a.k.a. Sad 13.

She's here to talk about her new album, haunted painting, also just ghosts in general, haunted studios, a bunch of fun stuff. So stay tuned for that. But right now, we're bringing back our new segment, Pyramid Pals. We introduced it last week, and it's definitely going to be with us every single week from now on. You can depend

on a pyramid palace segment every week just like Cradham Corner. But we got a bunch of calls

after we talked about the Ames Monument and the Luxor last week. So let's take a pyramid call.

Let's take that pyramid call. Hi, Night Call. I'm the first-time caller from Minneapolis.

I'm an architectural historian and just heard you talking about the Ames Pyramid designed

by Henry Hobson Richardson.

I just want to call in a little bit more information about Richardson because he's very

important and very weird. He has a style,

an architectural style named after him, which is called Richardsonian Romanesque. It's growing

off of the Romanesque style, but with his own personal twists on it. And it's very medieval

looking. It's very heavy. It's known for having rusticated

stonework, which is like what you see at the Ames Monument. And Richardson is considered

...