So our theme song song.

theme song.

Yeah.

Okay, on to Alex Lackmore, Part 3.

Hi, I'm Stage and Stages Lin Manuel Miranda,

and you're listening to The Hamelcast.

Bootsin, cutson,

Bootsin, Bootsin. Puts and cuts and cuts. Puts and... Emily's asking, who decides and how is the decision made, which sounds and

Hamilton are pre-recorded and which are live? That's a great question.

So I learned this in Bring It On. And by the way, if it had not been for Bring

It On, I would not have known how to orchestrate Hamilton. That is really?

Absolutely. Because Bring It On was the first time that I really tried to incorporate

electronic elements with live theatre elements and I made a lot of misfires along the way and

Tom Kit and I did the charts together and we just learned a lot and what I

learned the most important thing was that if you overcrowd the Sonic space with pre-recorded

material it just

leaves no room for humanity in life and it winds up just getting over cluttered and overcrowded and you don't hear the vocals you don't hear the story being told because no matter what

something that is fed directly into the soundboard digitally speaking

is always going to be a little louder than like the thing that's micing the bass or the thing that's micing

the strings or whatever so it's a little bit of a losing battle. So then I learned to

leave more and more space for the real live band and just have the pre-recorded

stuff just be a little bit more judicious about us use.

...