4.8 • 688 Ratings
🗓️ 12 May 2017
⏱️ 191 minutes
🧾️ Download transcript
It's time to say goodbye to Sir Roger and enter the age of Timothy Dalton. The year is 1987. We have a brand new Bond, a Fleming based story and quite possibly the best pre-title sequence in the entire series.
This week on James Bond Radio, we're going deep on The Living Daylights. We talk about everything from Timmy's performance in the gun barrel to Kara's skills on the cello. Daylights is a firm fan favourite but does it hold up 30 years on? Find out on this week's edition of JBR.
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0:00.0 | Hi, this is Roger Moore and you're listening to James Bond Radio. |
0:05.4 | Hello and welcome to episode number 120 of James Bond Radio. |
0:11.6 | This time we are entering a new era in the history of Bond. |
0:16.2 | We've taken Sir Roger, we've studied every moment of Sir Roger, to the cows went home. And then we said, |
0:22.5 | okay, Roger, thank you very much for your time. It's time to move on now. We tucked them up in bed |
0:25.9 | with some cocoa. And then we moved on to the error of Timmy D. I'm very excited. And I know my |
0:31.4 | co-host is also very excited. My name is Tom Sears and I'm joined as always by my good buddy Mr. Chris Wright. How are you doing Chris? |
0:42.7 | I'm doing exceptionally well Tom. I really cannot wait to dig into a bit of daylight, |
0:47.6 | a bit of Timmy D. It's been a long time coming, I must admit. And I know we've had a lot of the listeners kind of say, when are you going to, when are you going to get onto daylights? |
0:50.6 | When are you going to get onto daylight? Well when today's the day Tom today is the day |
0:54.4 | today is the day indeed now I tell you what's the exciting about this one this one is actually the |
1:00.0 | first one I saw in the cinema now I would have been a wheel out of five years old at the time and I |
1:04.4 | don't remember any of it the only thing I do remember is from the pre-title sequence where timmy's |
1:08.5 | running down the slope about to jump onto the to the top of the Jeep. I vaguely remember that scene and then I remember coming outside because |
1:15.5 | it was an afternoon show and it's still being bright outside because obviously you come out |
1:19.5 | the cinema. It's all dark and you come outside and it's all light in your eyes. Those are the only |
1:22.3 | two things I remember because obviously I was just a wee tiny little lad. But that is the first one film I saw in the cinema. |
1:29.0 | So it's got a little special place in my heart, which is nice. |
1:31.6 | That's amazing. |
1:33.0 | You know what? |
1:33.5 | I really wish I had gone to see it. |
1:36.1 | I mean, I'm sure if I had done, it would be ingrained in my mind somewhere, |
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