There we go. That's going.

Or is that... Oh shit, it's hosting us on.

Oh, it's not hosting a song. Sorry guys.

Sorry for any of the teens, any of the young Zoomer child soldiers who are enjoying

Hassan on our feed, it's me now, Hassan's weird uncle, I I guess that's me

there'll be no sound complaints today I've got my thing I'm gonna get in finally getting chilly out.

That's going to be a storm this weekend, apparently.

Storms are coming.

Ah. Oh, bodegas, boys, girls, gather around. Let me tell you about bodegas.

There are just magical places where you can go at any time of night to acquire goods food

stuffs basic household necessities I know I know those of you who live

anywhere near a 24-hour CVS might be agog this but yeah that's true

ah yes every this we were talking yesterday about how there's these cycles, these discourse cycles that reemerge. We got to drag the clat. Another one just happened too. Just the clat, like I was talking about David Foster Wallace, the classics in general now being dragged by a bunch of Y-A people.

I always find that funny because it's called young adult,

but none of the people involved in any of it, writing it, reading it or talking about it, are young or adult.

They are old babies. They are old children.

They are like 30 plus emotionally stunted uh uh emotion intellectually

nomish kid i mean they're children immature and that's why they read and write stuff for kids exclusively

because they are emotionally

and intellectually children. I don't really know why that should be considered elitist

or hustle or anything. It just seems like a recognition of the dynamic in play there.

Anyway, so you've got dragging the classics for having not enough wizards in them.

...