#113: (Pt. 2) Phantom Thread / Rebecca (1940)
The Next Picture Show
Filmspotting
4.6 • 858 Ratings
🗓️ 25 January 2018
⏱️ 67 minutes
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| 0:00.0 | Sit in quietly once you've made the house all shiny. |
| 0:04.2 | Down time can be just fine, playing bangers from the 90s. |
| 0:08.4 | Tea break. |
| 0:09.4 | Lunch break. |
| 0:10.2 | Maybe listen to the outbreak. |
| 0:12.1 | Sometimes it's not time for some tombollah, right? |
| 0:15.1 | It's enjoying lasagna time, chilling with a book time, or time to visit your nan time. |
| 0:29.3 | Go on. Play some other time. visit your nan time go on play some other time put your phone down tombole open for fun terms apply 18 plus gamble aware.org It's very difficult to keep the line between the past and the present. |
| 0:36.2 | You believe that someone out of the past can enter and take possession of a living being? |
| 0:42.8 | We may be through with the past, but the past is not through with us. |
| 0:49.6 | Welcome back to The Next Picture Show, a movie the Week podcast devoted to a classic film |
| 0:53.4 | in the way it shaped our thoughts on a recent release. |
| 0:55.6 | I'm Keith Phipps here again with. |
| 0:57.1 | Genevieve Kosky. |
| 0:58.0 | Scott Tobias. |
| 0:58.9 | And Tasha Robinson. |
| 0:59.9 | On the first half of this episode, we discussed Alfred Hitchcock's Rebecca, the 1940 film that brought him to America, earned a Best Picture Oscar, began a difficult relationship with David O'Selnick and assured that any movies with creepy maids would forever be compared to it. In this episode, we'll turn our attention to Paul Thomas |
| 1:14.7 | Anderson's Phantom Thread, which doesn't have a creepy maid, but it does have a Mrs. Danvers-like |
| 1:19.4 | figure in the former Leslie Mannville's Cyril Woodcock, sister of its central character, Reynolds |
| 1:24.8 | Woodcock. In fact, Anderson has freely cited Rebecca as a direct |
| 1:28.4 | influence on Phantom Thread, suggesting to Entertainment Weekly that he would be next in the line of |
| 1:32.7 | directors who tried and failed, his words, to make their own version of their movie. Yet, for all |
... |
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