What's up and welcome to another episode of the Scott and Ian show on the SBL podcast.

It's getting a little chilly outside.

I don't know about where you are, but I'm just outside of Minneapolis, Minnesota, in the United States, near Canada.

And it's getting a little chilly.

Therefore, Midwest formal baby, got my flannel.

Did my wife get this for me at Costco?

She did. Was there a time in

my life that I would have been like, there is no way I'm wearing a piece of clothing from Costco?

There was. Is that time over? It is. You guys, I am fully embracing Midwestern winter dad right now,

apparently. So I don't know what you're doing, but that's what I'm doing. For better,

for worse. A, check this out. I was just at the Guitar Summit in Mannheim, Germany. Actually,

no the. I think they just call it Guitar Summit in Mannheim, Germany with Voron Saku. This is my

lovely bass that Saku Viori built for me, my favorite short scale I've ever played. We did a

couple of mods on it at the show. I'm so happy with it. It just looks dang good, too. If you

guys aren't watching the pod, check it out on YouTube. So I'm going to talk to Scott about this show.

Was it better than NAM? Is it better than NAM? You're going to have to find out,

right? We're also talking about a 59 P-base that Scott checked out. Is it worth it? Is it? I don't

know. Also, why aren't all jazz basses the same? Why they're not? They're not. And why is that?

It's maddening to me. Every single jazz bass I pick up, I think like, this should probably play like the other one or sound like the other one, and they don't. We're going to dig into that. It's going to be a really fun episode, you guys. Let me tell you what's up at SBL. We have a brand new course that came out called the art of the duo with John Patatucci. It came out last week.

And I got to say, new course that came out called the Art of the Duo with John Patatucci. It came out last week.

And I got to say, if you've never played duo music on the base, it's something you should

consider. It's something that I do with different artists. You've maybe seen me do that. I have a big

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