#111: The Rafay Family Murders of The Confession Tapes

Real Crime Profile

Real Crime Profile / Wondery

True Crime, Society & Culture, Exhibit C, Documentary

4.2 • 10.5K Ratings

🗓️ 21 February 2018

⏱️ 82 minutes

🔗️ Recording | iTunes | RSS

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Summary

Jim Clemente and Lisa Zambetti analyze the first two episodes of the Netflix series The Confession Tapes. They break down the initial 911 call, the scene of the Rafay family murders and the trial of Atif Rafay, and his friend Sebastian Burns.

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Transcript

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0:00.0	Hey, Prime Members, you can listen to Real Crime Profile ad-free on Amazon Music.
0:06.0	Download the app today.
0:08.0	Before we get into this episode, we got a lot of negative feedback, mostly about my tone
0:14.6	in this episode that you're about to hear.
0:17.6	And I thought it would be a good opportunity for me to basically talk with Lisa and Laura
0:23.3	about it.
0:24.3	And so here we are.
0:26.1	I was afraid when I listened to the edit of this that people might get the wrong impression.
0:32.1	What listeners can't see are the smiles on our faces or our body language.
0:37.7	I readily admit that I get passionate when I discuss hot topics, but I have absolutely
0:42.6	no animosity at all towards Lisa.
0:46.0	However, I know Lisa's asking questions or stating opinions that she's read or heard
0:51.1	about, and she's doing that to get my honest reactions to that.
0:54.8	I'm not saying that my reactions are always perfect or proper, but it's my firm belief
0:59.1	that the way certain issues are portrayed on this show manipulates viewers into believing
1:03.8	something that I believe is strongly contradicted by fact.
1:08.0	So I feel the responsibility to point that out, and yes, I do get passionate about it.
1:12.6	I will, however, be more cognizant of the fact that listeners are only getting part
1:17.2	of the picture and don't see that Lisa and I love and respect each other.
1:22.7	And we are literally engaging in a real time, real discussion.
1:28.6	We don't manage this or produce this.
1:31.7	We don't script what we're about to say.
	...

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