Yeah, we were just talking about how we were talking about ghost notes.

I randomly just pressed record in the middle of Ian and I's conversation because I was just like, shit, we need to be catching this.

Because it's so true.

But Ian was telling this story about trying a, like, I think they were made in the 90s, right?

Those trace heads, like the V the v12 i think wasn't the

yeah the one that i was playing it was either a v6 or a v8 at a music store i don't know if anybody

remembers but it was their attempt to do like a svt was an all tube trace elliott head through

uh their 810 And it was glorious.

Like maybe the best bass sound.

I mean, it wasn't on a gig.

It was in a store.

But I was young.

And I was like, oh, it was so different than any other amp I'd ever played.

Yeah.

And every note was like,

you know.

And you said, it's the ghost notes, isn't it? The ghost notes, when you're playing through a big cab like that, the gut, because everybody here will probably be experienced. Like when you play a note through a loud rig, that's sort of that you feel the note. But like when you're playing through an 8-10 with a really like big head on it,

when you play ghost notes, it does the same thing.

You feel the ghost note.

And our statement was if you can't feel the ghost note, it's bullshit.

We should have t-shirts with that on.

If you can't feel the ghost note, it's bullshit.

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