107: Instagram Face/Off
Night Call
iHeartPodcasts
4.6 • 564 Ratings
🗓️ 20 April 2020
⏱️ 66 minutes
🔗️ Recording | iTunes | RSS
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Summary
The ladies are joined by Jia Tolentino, staff writer for the New Yorker and author of the essay collection “Trick Mirror: Reflections on Self-Delusion” this week. First up we fetch the bolt cutters for our first impressions of the new Fiona Apple album. Plus, pandemic dreams! A scientific explanation for why people are having such weird dreams during self-isolation. Then we talk about "Instagram Face," which Jia wrote an incredible essay about. She also describes her experience meeting the Kardashians' plastic surgeon Dr. Ourian. Who has the most Instagram face? What will the beauty standards shift toward next? Can you facetune reality? We take a Night Call about Heidi Montag and recall the first phase of young people getting extreme plastic surgery. Then Tess, Molly and Emily take on another classic plastic surgery movie for Plastic Surgery April: John Woo's Face/Off! First time viewer Emily talks to seasoned Face/Off fans Tess and Molly about the operatic silliness of John Travolta and Nic Cage in this movie, the low-key sci-fi world it takes place in, and whose faces we would personally like to take off. More fun in the new world at Night Call!
Footnotes:
Fiona Apple's Feature in 1997 Spin "Girls"
Emily Nussbaum's Fiona Apple Profile
Rachel Handler's Fiona Apple Interview
And Nat Geo on 'rona NightmaresÂ
Jia Tolentino on Instagram Face
Heidi Montag on her Plastic Surgery
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Transcript
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| 0:00.0 | This is an I-Heart podcast. |
| 0:02.3 | Guaranteed Human. |
| 0:04.3 | It's 11.40 p.m. in an airplane hanger in Los Angeles, and you're listening to Night Call. |
| 0:15.0 | Hello and welcome back to Night Call, a call-in show for our dystopian reality. |
| 0:24.8 | I'm Molly Lambert, and with me are Tess Lynch and Emily Ishida. |
| 0:30.3 | Here we are, and today we are super excited to welcome our very special guest, Gia Tolentino, |
| 0:36.5 | staff writer for the New Yorker, and author of the essay |
| 0:39.1 | collection, Trick Mirror, Reflections on Self-Dilusion. Welcome, Gia, to Night Call. |
| 0:45.4 | Hi, guys. It's nice to, you know, talk to someone after a long day alone. |
| 0:52.1 | It's nice to everybody figure out complicated audio setups so we can all connect to each other as humans |
| 0:58.7 | at home this is how god intended it to be i'm a zoom master now i figured out all the things well we |
| 1:04.8 | were all last night connecting with our friend fiona apple whose new album Fetch the Bult Cutters came out. |
| 1:13.5 | I fetched the bolt cutters. |
| 1:14.8 | Last night, Emily, Gia, and I all fetched the bolt cutters. |
| 1:20.0 | Oh, yeah. |
| 1:20.9 | We just wanted to give our unbaked takes on the album. |
| 1:25.4 | I had been, like, I just filed a thing that I was, like, kind of deep reporting all day, and I had, like, had my head in it, but of course, I'd been listening to Fiona the whole time, and then I went for, like, a walk the length of the album and listened to the whole thing through. |
| 1:38.4 | And I, I mean, I'm still very overwhelmed by it, but one thing, I just felt so grateful for an album that, like, it requires and demands your complete attention. Yeah. You know, and, like, the more attention you give it, the more it gives you. It's just, like, I wish that there were, like, I wish that I could be riding the subway and listening to it. Like, I wish I could be driving and listen to it. But it's like, I just hadn't heard an album like that in a really long time. |
| 2:05.5 | Yeah, I basically, I was thinking about maybe taking a drive out to the beach, not getting out, |
| 2:11.6 | but just driving and coming back. |
| 2:13.8 | That's allowed. |
| 2:14.8 | This is like an honor that I really only give to like Lana Del Rey albums at this point as far as like having a dedicated listen. So I was thinking it might warrant that. But yeah, and it's also just like she, it's, it's really refreshing to hear a new album that really doesn't sound. I mean, it doesn't really sound like it's in conversation with anything else right now, |
... |
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