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It's very difficult to keep the line between the past and the present.

You believe that someone out of the past can enter and take possession of a living being?

We may be through with the past, but the past is not through with us.

Welcome to the next picture show, a movie The Week podcast of it, to a classic film and how it shaped our thoughts on a recent release. I'm Keith Phipps here with Tosha Robinson, Genevieve Koski,

and Scott Tobias. Here on the next picture show, we believe that no film exists in a vacuum

and that all culture is more interesting in context. So every other week, we get together to talk

over a classic film and consider how it relates to a current movie. This week, we get together to talk over a classic film and consider how it relates to a current

movie. This week, we're looking at two movies about bad movies and the people that make

them. Each feature men with dreams that outstrip their abilities, who nonetheless surround

themselves with a crew working to try to make those dreams come true. One wants to be Orson

Wells while working on a shoestring budget and making movies about extraterrestrial grave robbers.

The other wants to be, well, that's not clear.

But he definitely wants to make a movie.

Tasha, could you pull the strings on this week's pairing?

We are all of us interested in this week's pairing because that is where you and I are going to spend the rest of our lives, or at least the next couple of

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