Attention at all passengers. You can now book your train tickets on Uber and get 10% back in Uber credits to spend on your next train journey.

So no excuses not to visit your in-laws this Christmas.

Trains now on Uber. T's and C's apply check the Uber app. Some 24 years after the events of W.C.W. SuperBraw 6, at which Brian Pillman gleefully removed

the first brick in the dam of on-screen Kefebab, we're not exactly swimming in an ocean of groundbreaking change.

In fact, the mainstream product in the US is mostly a faithful interpretation of what always

constituted professional wrestling.

Word chute angles are aberrations mostly engulfed in and thus ruined by a certain irony.

As soon as they tell you it's real, it becomes harder to believe.

Go figure.

The old guard in meltdown over Pillman's transgression and the curtain call had little to fear

in the end.

No fan felt betrayed at the revelation of an open secret, nor was this new storytelling form sustainable.

There is a further irony of course, in that those most protective of wrestling sanctity are also those quickest to erode it.

The people largely still seek baby faces and heels at war with stakes.

Hence why that is still sold as wrestling's flagship product.

The talent mostly operates within K-Fabe on screen as a result.

And it is very much hit and miss as to whether or not transgressing upon it is actually good.

I'm Gareth from What Culture Wrestling and here are 10

wrestlers who didn't care about K-Fabe. Number 10, Kenny omega. The existence of

parody does not ruin that which is parodied. It is a stupid misconception regurgitated by idiots because

Mr. Cornette takes wrestling a bit too seriously. Kenny Omega wrestled a nine-year-old girl because it sparked the boundless

creativity within him. And the match is a genuine triumph. A brilliantly funny blend

...