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It's very difficult to keep the line between the past and the present.

You believe that someone out of the past can enter and take possession of a living being?

We may be true with the past, but the past is not through with us.

Welcome to the next picture show, a movie the week podcast about it to a classic film

and how it shaped our thoughts on a recent release.

I'm Keith Phipps, here with Scott Tobias, Genevieve Koski.

And Tasha Robinson is once again out this week, but we'll return for our next episodes.

Here on the next picture show, we believe that no film exists in a vacuum and that all culture is more interesting in context.

So every other week, we get together to talk over a classic film and consider how culture is more interesting in context. So every other week,

we get together to talk over a classic film and consider how it relates to a current movie.

This week, we're paying tribute to the late Jonathan Demi via a pair of joyous concert films.

Genevieve, can you tell us a bit more about our selections?

Certainly. When Demi died on April 26th at the age of 73, we lost a director of incredible range and empathy, capable of working across a broad range of genres.

He earned his greatest fame and acclaim for the 1991 thriller The Silence of the Lambs, but he preceded that film with comedies like Something Wild and Married to the Mob, and followed it with Philadelphia, a drama about AIDS that doubled as a plea for tolerance and understanding. Demi also made a number of documentaries and, most relevant to us for this

episode, concert films. Demi never made the same film twice, but his films have a shared,

generous spirit that's an ample supply and a pair of concert movies he made decades apart.

1984's Stop Making Sense, starring Talking Heads, and his final film, 2016's Justin

Timberlake and the Tennessee Kids, which captures the final concerts in Timberlake's

2020 Experience Tour. We'll be holding our lighters aloft for both after the break. Hi, I got a tape I want to play.

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