4.6 • 1.5K Ratings
🗓️ 1 December 2015
⏱️ 28 minutes
🧾️ Download transcript
As work continues on a new iteration of ODAR’s time-bending technology, Jack Wyatt can’t shake the feeling that he might not be right for the job, and Esther is left picking up the pieces. Meanwhile, Anthony Partridge is investigating a new face in town: Agent Hank Cornish. But is it really worth all the fuss? Or is he just using this—and his research into Bill Donovan’s declining health—as an excuse to avoid supporting Helen in her cabaret debut?
Created by Daniel Manning & Mischa Stanton. Written by Daniel Manning. Directed & Produced by Mischa Stanton.
Featuring:
Kristen DiMercurio as Sally Grissom,
Reyn Beeler as Chet Whickman,
Robin Gabrielli as Anthony Partridge,
Susanna Kavee as Helen Partridge,
Katie Speed as Esther Roberts,
Zach Ehrlich as Jack Wyatt,
and Charlotte Mary Wen as Penny Wise,
as well as Zak Stevens and Erin Bark,
with special thanks to Isabel Atkinson.
This episode features the song "A Nightingale Sang in Barkley Square," performed by Susanna Kavee as Helen Partridge, and original music by Mischa Stanton and by Eno Freedman-Brodmann.
Click on a timestamp to play from that location
0:00.0 | Previously on Ar's Paradoxica. |
0:02.8 | My name is Sally Grissom, and I think I accidentally invented time travel. |
0:07.6 | We'll be shutting down operations of the Office of Developed Anomalous Resources |
0:11.9 | effective immediately. |
0:13.2 | We're taking you to the town of Point of Exile, Colorado. |
0:16.3 | Come on, Bill, that sounds made up. |
0:18.4 | What are we even doing here in the middle of nowhere |
0:21.1 | with you doing God knows what what and me sitting around all day |
0:24.9 | wishing that for once we could just be a normal couple who live in a normal town |
0:28.8 | and have normal lives. Why? Because I will believe the work you're doing was will change the world for the better. |
0:37.0 | I want to see this machine work. I want to see it help somebody. |
0:41.0 | Please, you have to help him. |
0:43.2 | You understand that all of it was for the good of O-DAR, |
0:46.2 | for the good of all of us. |
0:47.9 | And now he's dying. The So, Oh, Can you give me a name at the very least or how the patient got this bad so fast? |
1:32.4 | No I can't tell you who. |
1:34.4 | Or why? |
1:35.4 | But the time frame for the degradation, |
1:37.8 | that's got to be exaggerated. |
1:40.3 | Best estimates suggest the majority of the damage happened over about 10 to 14 months. |
1:45.0 | I know. |
1:46.0 | You're yank in my chain. |
... |
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