4.6 • 605 Ratings
🗓️ 27 March 2018
⏱️ 20 minutes
🧾️ Download transcript
We often have this idea of the path we're meant to be on, but sometimes our hopes and dreams get off track and plans are derailed. Today’s episode is focused on how you can deal with hardships and negative situations, and I’ll share with you exactly how to turn it all around. Learn the the 5 ways you can begin to move forward if you’re feeling like everything is going wrong... Sometimes it’s all about the grace we give ourselves.
What’s In This Episode:
To join Tonya’s free, supportive group focused around productivity, just go to inkwellpress.com/group
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0:00.0 | Welcome to Productivity Paradox from Inkwell Press, a podcast focused on finding success and happiness through the power of productivity. |
0:09.4 | Each season, Tanya focuses on specific strategies to help you discover your own priorities and purpose. |
0:15.2 | Season five is all about investing in you. |
0:18.4 | You can also join Tanya for more interaction and support in her free Facebook group |
0:22.3 | at Inquilpress.com slash group. And now here's your host, Tanya Dalton. Hello, hello everyone. |
0:30.4 | Welcome to Productivity Paradox. I'm your host, Tanya Dalton, owner of Inqual Press, and this is |
0:36.6 | episode 63. |
0:39.0 | Today's episode is brought to you by the Peak Work Performance Summit, a free five-day |
0:44.3 | online summit that I'll be sharing more about later on in the show. |
0:48.7 | But let's go ahead and start talking about today's topic, when plans get derailed. |
0:57.7 | This happens to all of us in different times in our lives where we have this idea of where we're going and the path that we're meant to be on, |
1:02.7 | but something happens. And the ideas and the plans that we've laid in place have somehow gotten |
1:08.9 | off track. So I want to talk about that today because for a lot of us, |
1:14.2 | we conceptualize ourselves through our narrative identity, very similar to how you consume a movie. |
1:21.4 | Starting with that first scene, you collect information about your setting, who the major characters are, |
1:27.0 | what their cornerstones are, |
1:28.9 | and where the major plot might be going. With each frame, you subconsciously integrate new |
1:35.6 | information into this existing script. And the more developed your story becomes, the more likely |
1:42.6 | you are to interpret new information to be consistent |
1:45.9 | with the past events, with the things that have been happening all along. For example, |
1:51.5 | a positive event might be chalked up as good luck, good genes, parenting, or as a reward for good |
1:58.1 | behavior. Negative events might be thought of as a punishment or a |
... |
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