to want to work with them again and not every not every photo is going to be a grand slam

yeah home run you know there's there's plenty of failures in in photography my work included

there's plenty of times when I've missed a great

photo because of that. But you have to think, okay, well, just for example, I was in Portugal

and I missed a 720. I was swimming in the water with a fish eye. And I totally missed that wave.

You were in the water, though, with Kelly. With Kelly, yeah. We were just weren't in the right

spot. We were at the beach, and it was pouring down rain it was howling offshore like 30 miles an hour

offshore and we sat there and watched it for two hours and we were humming and honed about whether to

go out or not we're like should we go out should we not go out not too sure we watch it for like two hours finally I was like I'm like hey I'm like let's just

go out we'll go get a couple waves and we'll go get lunch I'm like the pow out was really

bad that day I'm like let's just go pal out I'll make lunch taste better all right and I was

thinking it was howling offshore I'm like there's no way we're going to do an air on this day

like it's going to be a tube day set Set up a fish eye camera, swam out.

First wave, he gets tubed on the left, comes out.

Pals back out, sitting out there, and the wind went from offshore to side shore.

And that's when he got that wave, did the big double rotation, the 540 or the 720, which, however you want to call it.

Pows back out.

I'm just like, oh, man, here we go.

You saw it.

I saw the whole thing.

And the wind went back offshore, which is not good for airs.

And we're like, what are the odds?

...