4.9 • 2.5K Ratings
🗓️ 9 May 2018
⏱️ 79 minutes
🧾️ Download transcript
Joe Beshenkovsky is the Emmy award-winning editor behind This American Life. His film’s include Objectified, Cobain: Montage of Heck & Judd Apatow’s The Zen Diaries of Garry Shandling.
On this episode we go deep into what it takes to tell a great story. Every creative can get something out of this, but if you’re a filmmaker you need to stick around for the entire episode. There are at least a dozen gems that will improve your storytelling abilities from...
Why it’s important to have subjects that speak from authority, trimming out the fat, never repeating yourself, organizing your projects & keeping an audience guessing but not confused.
More from Joe: shablabs.com
New podcast every Wednesday.
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0:00.0 | The fact of the matter is this storytelling is really really hard. People do not say that |
0:05.0 | enough. You know, I don't care who it is if it's Judd or if it's Ira or if it's anybody |
0:10.0 | I work with. At some point you're in the room and you've had you just sitting there like |
0:13.6 | this and you're like, I don't know how to solve this thing, you know what I mean? And that |
0:17.0 | happens all the time. And I think the difference is that the good people just keep fighting |
0:21.2 | through it. |
0:23.2 | Joe Beshenkovsky is the Emmy award-winning editor behind this American life. His films |
0:29.6 | include Objectified, Cobain Montage of Heck and Judd Apatow's The Zen Diaries of Gary |
0:37.3 | Shandling. On this episode we go deep into what it takes to tell a great story. Every creative |
0:44.4 | can get something out of this but specifically I want all you filmmakers out there to stick |
0:50.2 | around and listen to this entire episode. There are dozens of takeaways and gems that |
0:56.4 | you can start implementing today. Some of these storytelling techniques that we cover, |
1:02.8 | why it's important to have subjects speak from a place of authority, why it's important |
1:08.3 | to trim out the fat, to never repeat yourself, organizing your projects and keeping your audience |
1:16.6 | guessing but not confused. There's a very fine line and a very fine balance that you have |
1:26.8 | to go down as a filmmaker and as an editor. And Joe is a true master. If you watch any of |
1:33.9 | his documentaries, you can see in the editing. Now it may take a professional to be able |
1:41.4 | to see the nuances but his style just carries you through and he pulls you through the film |
1:48.7 | in a way that's not so obvious and it's a true art and I don't think we give enough credit |
1:55.5 | to editors for the work that they do on both films, TV shows across the board. So again, |
2:02.9 | not just for filmmakers, storytellers in general. I think you're going to love it and it's just |
2:08.0 | cool to see behind the scenes at some some great films and documentaries to see that other people |
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