#048: (Pt. 2) Westworld (1973) / Westworld (2016)
The Next Picture Show
Filmspotting
4.6 • 858 Ratings
🗓️ 20 October 2016
⏱️ 57 minutes
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Summary
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| 0:00.0 | It's very difficult to keep the line between the past and the present. |
| 0:05.1 | Do you believe that someone out of the past can enter and take possession of a living being? |
| 0:11.9 | We may be true with the past, but the past is not through with us. |
| 0:17.9 | Welcome back to The Next Picture Show, a movie The Week podcast devoted to a classic film and the way it shaped our thoughts on a recent release. |
| 0:24.4 | I'm Keith Phillips here again with Tasha Robinson. |
| 0:26.9 | Genevieve Koski. |
| 0:27.8 | Scott Tobias. |
| 0:28.9 | In the first half of this conversation, we talked about Westworld, Michael Crichton's 1973 film about an amusement park filled with robots and murder. |
| 0:36.2 | In the second half, we'd like to talk about |
| 0:37.8 | Westworld, a new HBO series that uses a movie as a foundation for an ongoing narrative. The show's |
| 0:43.5 | been a long time coming for the network, which has struggled to find a successor for Game |
| 0:47.2 | of Thrones, which will end soon. Three episodes end, Westworld is looking like it could fill |
| 0:52.0 | that void. It bears the stamp of two creative teams who, from all appearances, seem to be working together harmoniously. Jonathan Nolan, who co-created the series with Lisa Joy, is revisiting some of the issues of memory and identity raised by the story that inspired Memento. Joy, who is Nolan's wife, is a bit less well-known at this point, having mostly worked on series like Burn Notice and Pushing Daisies. |
| 1:11.6 | JJ Abrams and Brian Burke serve as executive producers, and, like Lost, the series has teased |
| 1:16.6 | a number of mysteries and taken only baby steps toward answering them. Abrams loves his mystery |
| 1:21.1 | boxes, and the setup so far has suggested this one will take a while to unlock. |
| 1:26.0 | We could probably eat up the rest of our time talking |
| 1:27.9 | through the plot. So let me say this. Westworld to date plays like a series in which all involved |
| 1:32.9 | have decided to deeply consider a lot of the issues the original film breezes past on its way |
| 1:36.8 | to the killer robot carnage, the lives of the engineers, the motives of the organization behind it, |
| 1:41.4 | the draw of the park, the inner lives of the robots, the particular allure of the Old West, and the philosophical implications of subjugating |
| 1:47.7 | creations indistinguishable from humanity. Access your current build, please. What is your name? |
... |
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