So, carrying the weight of my black experience into another country, just, you know, real-time

life like this was obviously I didn't, you know, grow up in, you know, in Egypt and going

over there, even on the right I think was some form of me satisfying on a flight over

it was me satisfying this like childhood connection, but then actually putting my, you

know, feet on the ground and walking around and being in that cab, it interrupted whatever

I was at this point in my life and I was 22 years old, but at that moment in time I

knew that I wasn't just connected to my own blood family, like I knew I had a connection

to something that was, that was very old and whatever my existence was I knew it had

to be special.

I'm Jim Perry and this is Ufamette, a show about the unknown and our relationship to it,

this time who we are as told by pyramids in the sky, next on Ufamette.

Across open space, across time, a connection to something ancient, set in the stars, who

are we, products of experience directed by something ancient, unknown, alien?

In symbols weed code meaning triangles construct form, rooms for fallen family tell us something

but ultimately keep their secret, that we are them, concealed by stone, looted for treasure.

And if we learn that our own blood flows through those same dusty veins crushed into dirt

on royal floors, Brandon was living in the Bay Area, a screenwriter who wasn't a stranger

to immersing himself, his mind, his heart, into other worlds.

Brandon was about to find himself, a character in his own real life movie.

As a broad artist in New York, I used to go to the Barnes & Noble at Union Square, not

out, I don't even know if it's still open, but this, you know, from 1998, from 1998, 2007.

So I found myself going to the esoteric section a lot and reading a lot of things and I found

...