0215 | Abyss
True Crime Bullsh**: The Israel Keyes Investigation
Studio BOTH/AND
4.6 • 5.2K Ratings
🗓️ 22 December 2019
⏱️ 88 minutes
🧾️ Download transcript
Summary
This is a Studio BOTH/AND production:
www.truecrimebullshit.com / www.bothand.fyi
For an ad-free experience or to support the show: www.patreon.com/studiobothand
Written, researched, edited, and produced by Josh Hallmark
Music by William Hellfire, Radical Face, LaBon, Lee Rosevere, Sergey Cheremisinov, Metric, and Emily Haines & the Soft Skeleton.
Sources: The Charley Project, NAMUS, USA Today, Refinery 29
Become a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-bullsh-the-israel-keyes-investigation--3588169/support.
Transcript
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| 0:00.0 | Presenting Hop On Board, a podcast series by Southeastern, six podcasts, six celebrity |
| 0:06.2 | hosts, taking you on a whistle-stop tour of some of the best places to explore by rail |
| 0:10.8 | on the Southeastern network. |
| 0:12.4 | Join Greg Wallace as he tucks into delicious food and drink, rave-wilding, uncovering unsolved |
| 0:17.7 | mysteries and spooky happenings, and Miranda Sawyer getting arti on the Ken Coast. |
| 0:22.7 | Get the inside track on Kenton East Sussex with Hop On Board, listen now wherever you |
| 0:27.2 | get your podcasts. |
| 0:30.6 | This is an our Americana podcast network production. |
| 0:41.6 | This is the season two finale of True Crime Bullshit. |
| 0:46.4 | This episode was written, produced, and researched by me, your host, Josh Hallmark. |
| 0:52.6 | Research sources include the Charlie Project, Namus, USA Today, and Refinery 29. |
| 0:59.7 | This episode features music by William Hellfire, Radical Face, LeBond, Lee Roosevelt, |
| 1:06.9 | Sergei Cheromissanov, Metric, Land of Talk, and Emily Haynes and the Soft Skeleton. |
| 1:13.9 | True Crime Bullshit will be back for its third season in March of 2020. |
| 1:18.9 | Enjoy the show. |
| 1:20.4 | If I choose not to talk about something that's not the same as giving a misleading answer |
| 1:26.0 | that could be construed as a lie. |
| 1:28.3 | At that point, I'm trying to make. |
| 1:31.1 | There's a lot of things that I've left out. |
| 1:36.4 | Obviously, there's, and there's, there have been some direct questions that I'm just saying |
| 1:44.4 | my answer could have been construed as a lie or intentionally misleading, but that's |
| 1:49.3 | not what my intent was necessarily. |
... |
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