Right, that's it. Come on. Lights out. You've got a test tomorrow. Just two minutes. I'm about to reach the next level. It's going off now. Yeah, whatever. Let's see. Where's the app? Oh, here it is. What? How? Oh no, you're out. Better look next time. Mom! Here's game over for late nights on school nights. EE-E Wi-Fi controls help you get them off the Wi-Fi and into bed.

More parents are choosing EE broadband, the UK's fastest growing broadband provider.

To verify I see EE.com.com.

It's very difficult to keep the line between the past and the present.

Do you believe that someone out of the past can enter and take possession of a living

we may be true with the past but the past is not through with us.

Welcome back to the next picture show, a movie of the week podcast devoted to a classic film

in the way it shaped our thoughts on a new release. I'm Keith Phipps here once again with Scott Tobias, Tasha Robinson, and Genevieve Kosky. This week we're talking about Pixar's classic 1995 feature debut Toy Story, the first computer animated feature film. In the first half of this week's discussion, we talked about the history behind Toy Story and how it fit into the Pixar story. Now we're going to take a closer look at how Pixar's latest film, the Good Dinosaur, ties into that history and how it looks when placed side by side next to Toy Story. Part of what makes the Good Dinosaur is such a compelling contrast with Toy Story is the former grandness of scale. Where the action of Toy Story is largely confined to a pair of houses, a backyard, a pizza place, and a couple of vehicles used to get between those locations.

The good dinosaur takes as its stage nothing less than the Old West, and by that I mean the very old West.

The film set in a prehistoric version of Wyoming, in which the dinosaur eradicating meteor of our own past has missed the earth.

Consequently, dinosaurs have set up a society that's eclipsed what little civilization

primitive humans had developed.

The dang wilderness critters coming over the fence, eating our food, and I've had it up to my

snout. If this keeps up, we won't have enough food to survive the winter. That's why

you are going to catch that critter.

Then, now long comes a critter.

And this is how you're going to finish the down.

When that critter's taken care of, you'll put your mark on the silo right next to mine.

I'll take care of the critter, Papa.

It won't stand a chance.

Scott, let's start with you.

Sure.

...