The only thing that I am certain of is that I will do the work that it takes.

If you put me on a show, if you invite me into a room, if you ask me to collaborate,

I will do that to my bones and that is something I actually wish weren't the case.

Welcome back to Working. I'm your host, June Thomas.

And I am your other host, Isaac Butler.

Isaac, it is always a pleasure to see you, but...

It's been a while. There was a while when we were seeing each other constantly,

but it's been a couple weeks. It's good to be back.

We've had a whole fortnight away from each other, but much as I'd love to chichichichichtia with you,

I have to know whose voice we heard at the top of the show.

That was the voice of choreographer, extraordinary Raja Feather Kelly.

And why did you want to speak with him now?

Well, Raja is operating at a very high level as a choreographer

currently he has his own company the feather theory with which he's made you

know groundbreaking well-reviewed award-bedecked work but he's also over the last few

years moved to choreographing in the far more commercial and collaborative world of Broadway musicals.

And so I was sort of interested in, you know, the choreographer minds and how you bridge the gap between

what you might call, you know, postmodern, capital H, H capital A high art dance even though I don't believe

in the difference in higher and low art and you know something is grimy and popular and

corrupted as the as the Broadway musical. Yes.

And say, did you ask him anything strictly for the ears of our Sleep Plus members?

It's funny you should mention that, June, because I did.

...