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Hit Parade | Music History and Music Trivia

With or Without U2 Edition Part 2

Hit Parade | Music History and Music Trivia

Slate Podcasts

Music, Music History, Music Commentary

4.8 • 2.1K Ratings

🗓️ 25 October 2024

⏱️ 59 minutes

🧾️ Download transcript

Summary

U2 have millions of admirers—and haters: from the fans who regard them as rock’s conscience, to the cynics who blanch at lead singer Bono’s self-importance. Here’s the thing: U2 want to play to both crowds. They know why the haters can’t stand them. After a decade of earnestness in the ’80s, Bono, The Edge, Adam Clayton and Larry Mullen called BS on themselves, rebooting their sound and image for the ’90s age of irony. This shouldn’t have worked. Instead, U2 became as big as ever, and kept scoring hits. Then, when the whole sardonic thing stopped working for them, at the turn of the millennium, they went back to anthemic U2—and the hits kept coming. Their ability to pivot so many times and keep scoring hits over multiple decades is rare in pop history. Join Chris Molanphy as he explains how U2 pulled this off. How did they balance cool and cringe? How did they outlast new wave, college rock, hair metal and grunge to remain chart-toppers into the era of teenpop and hip-hop? And…what exactly were they thinking when they forced an album onto your iPhone? They don’t mean to bug ya, but…why can’t we live with or without U2? Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

This podcast is brought to you by Progressive Insurance.

0:05.0

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at progressive.com

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Progressive Casualty Insurance Company and affiliates

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price and coverage match limited by state law

0:39.0

not available in all states. Welcome back to Hit Parade, a podcast of Pop Chart History from Slate magazine, about the hits

0:58.0

from Coast to Coast. I'm Chris Malamphi, chart analyst, pop critic,

1:02.6

and writer of Slates,

1:03.7

Why Is This Song Number One series?

1:06.2

On our last episode, we walked

1:08.8

through the 80s history of Irish rockers,

1:11.7

you-2, who turned punk ideals into anthemic pop that galvanized fans, filled

1:18.8

arenas, and by the time of 1987's The Joshua Tree topped the charts.

1:25.0

They became Rock's conscience, even as lead singer Bono's crowd-rallying antics became sport for pundits.

1:34.4

By the end of the 80s, after a flop film and middling album called Rattle and Hum,

1:41.4

you two perceived that the only way they would survive the transition into

1:47.0

the 90s was to reboot the band.

2:07.2

During U2's hiatus, guitarist The Edge was keeping tabs on what was happening in British rock. As we discussed in our Britpop episode of hit parade, the late 80s saw a trend of English rock bands, many from Manchester, adopting dance beats, acid house, and rave

2:17.5

psychedelia, into a style variously tagged as baggy or Madchester. Bands like The Stone Roses or Happy Mondays

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