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🗓️ 5 June 2024
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Today, a (biased) case for poems as the monuments that can outlast monuments.
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0:00.0 | Welcome back to the Daily Poem, a podcast from Goldberry Studios. I'm Sean Johnson, and today is Tuesday, June 4th, 2004. Today's poem by William Shakespeare is Sonnet 55. I'll read it once, offer a few comments, and read it once more. |
0:20.9 | Not marble, nor the gilded monuments of princes shall outlive this powerful rhyme, |
0:27.8 | but you shall shine more bright in these contents than unswept stone, besmeared with sluttish time. |
0:35.7 | When wasteful war shall statues overturn and broils root out the work of masonry, |
0:41.3 | nor mars his sword nor war's quick fire shall burn the living record of your memory. |
0:47.3 | Against death and all oblivious enmity shall you pace forth, |
0:52.3 | your praise shall still find room even in the eyes of all posterity |
0:57.0 | that wear this world out to the ending doom. So, to the judgment that yourself arise, |
1:03.8 | you live in this and dwell in lover's eyes. |
1:21.0 | While I will grant to Sonnet 18 a catchier opening line, for my money, I prefer Sonnet 55, |
1:30.1 | doing something similar in its form and construction, but I think the extended metaphor is a little more satisfying. |
1:39.0 | So yesterday we looked at Sonnet 18 in which the speaker presents the problem of the beloved's mortality and inevitability or the inevitability of her fading beauty. |
1:45.3 | Here, the same problem is presented, but the solution is also the same. |
1:53.4 | Well, the solution is also the same, but it's contrasted against a different backdrop. |
1:58.8 | Rather than simply saying, I'll write a poem about you, |
2:03.2 | and that will make your beauty last. Here, other forms or other methods of preserving the |
2:11.3 | beloved's beauty are compared and contrasted. So the statuary of marble or gilded monuments, the material, hard, |
2:25.6 | durable means of capturing the beloved's beauty in really a more intuitive way are presented at first. |
2:37.6 | If you want to preserve someone's beauty, what better way than in an image? |
2:43.1 | You can look upon it and have the actual substance of the beauty, the details, the symmetry |
2:48.9 | of the face, the grace of the form presented to |
2:52.6 | your senses, but the speaker contends even those things can be destroyed. Time wears away stone, |
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