4.8 • 2.1K Ratings
🗓️ 7 June 2023
⏱️ 33 minutes
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0:00.0 | You're listening to Imaginary Worlds, a show about how we create them and why we suspend |
0:04.1 | our disbelief. |
0:05.1 | I'm Eric Mullinsky. |
0:07.6 | I'm always in the lookout for new speculative fiction to read. |
0:10.8 | I like to check out the best of the year lists or look who gets nominated for awards. |
0:16.4 | And I've noticed in a lot of new fantasy novels there's one word which keeps coming up over |
0:21.1 | and over again in the descriptions. |
0:23.8 | Gothic. |
0:24.8 | When I see the word Gothic, I think about the kind of books that I was assigned to read |
0:29.6 | in high school, withering heights, Rebecca, the picture of Dorian Gray. |
0:35.4 | But these marketing teams that publishing houses seem to know that the word Gothic is |
0:40.2 | hot, like that's going to sell books. |
0:44.5 | Some of these new novels are set in the same time period as classic Gothic books, but |
0:49.7 | they have a perspective on history that feels more contemporary. |
0:53.1 | For instance, there was a novel called The Essex Serpent by Sarah Perry. |
0:57.2 | It's a lock-ness monster type story that's set in the 19th century. |
1:01.6 | But it deals more openly with feminist themes than Gothic novels that were actually written |
1:06.2 | in the 19th century. |
1:08.3 | Last year the book was turned into a miniseries for Apple TV. |
1:11.4 | The serpent is not real. |
1:15.5 | What if it is? |
1:17.5 | No. |
... |
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