4.8 • 767 Ratings
🗓️ 19 April 2018
⏱️ 48 minutes
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0:00.0 | Hello and welcome to the Story Grid podcast. This is a show dedicated to helping you become a better |
0:06.3 | writer. I'm your host Tim Graal and I am a struggling writer trying to figure out how to tell a |
0:12.1 | story that works. Joining me shortly as Sean Coyne, he is the creator of Story Grid, the author of |
0:18.0 | the book Story Grid and an editor with over 25 years experience. |
0:22.4 | Now, for those of you that have been around for a while and been listening to all the |
0:27.5 | episodes of Story Grid, you know whenever I turn in some writing to Sean, it's a little |
0:33.3 | iffy on what the feedback is going to be. And so I had sent Sean my manuscript and now he's gotten a chance |
0:41.0 | to read it and we get his feedback and what we're going to do next. So let's jump in and get started. |
0:48.5 | So Sean, I think a lot of this episode may be in your court because I sent you the manuscript last week right before |
0:56.5 | we recorded so you hadn't gotten a chance to look at it and then you sent me back kind of your |
1:01.6 | rework of the first like 3,000 words but overall now that you've well one is how I'm wondering |
1:08.9 | how much you've read of the manuscript, because it's only |
1:12.0 | been a week, and then how you feel about it so far. Yeah, I've read the whole thing, and I think it's, |
1:18.8 | we've got all the materials that we need to create a really great book, I think. What I love about |
1:24.6 | the material is that it's extremely personal, and it goes to my theory that, |
1:31.1 | and I'm not the only one who shares this theory, that with specificity comes universality. |
1:35.8 | And so you're telling your story without, you know, sort of pulling out all of those tools that you initially wanted to just put |
1:47.0 | string together in a kind of like, almost like a, you know, a spiral binder for people, I think are |
1:53.7 | going to make the tools land better and stick in somebody's head. You know, it's like when Malcolm |
1:59.0 | Gladwell talks about stickiness in the |
2:01.9 | tipping point, that's what he's talking about. Stickiness being a thing that the reader immediately |
2:09.5 | references when they hear a particular concept. So the way to create stickiness is to set really amazing scenes so that the imagery of the scene |
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