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0:00.0 | From KCRW in Santa Monica, this is The Treatment. |
0:13.9 | Welcome to the treatment. |
0:14.9 | I'm Elvis Mitchell. |
0:16.0 | My guest, Wesley Strick, is best known for screenplays that include True Believer and Cape Fear, Martin Scorsese. |
0:23.3 | He's here today for his first novel. |
0:25.8 | The book is Out There in the Dark. |
0:27.7 | Wesley, thanks for being here. |
0:28.9 | Oh, yeah. |
0:29.2 | Thanks for having me. |
0:30.1 | First of all, tell us about the title where the title comes from. |
0:32.5 | Obviously, you can sort of explain the novel by talking about the title, too, but please. |
0:36.4 | The title comes from the Norma Desmond final psycho monologue at the end of Sunset Boulevard. |
0:43.8 | You know, she's come down the stairs. |
0:45.2 | She thinks she's talking to Cecilby DeMille, I guess. |
0:48.6 | And then she kind of breaks the fourth wall rather disturbingly and is kind of playing directly to the camera, |
0:55.0 | I think, in a close-up and starts to sing a love song to her audience, whom she calls all |
1:01.7 | you wonderful people out there in the dark. |
1:03.7 | What's interesting about the book, I guess, is that it's very much about people who are |
1:08.2 | in the dark in their own ways, aren't they? |
1:10.6 | Indeed. In the dark, you know, watching movies and also trying to make sense of what's going on around them and making terrible mistakes in the process. |
1:19.6 | If you could, just give us a sort of a brief precy of the plot. |
1:24.5 | The book concerns a German emigre director based very loosely on Douglas Serk, and I want to |
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