4.4 • 13.7K Ratings
🗓️ 21 April 2002
⏱️ 35 minutes
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This week the castaway on Desert Island Discs is the organist Wayne Marshall. He describes himself as a virtuosic performer, preferring to play "loud and fast". The energy he brings to his performances has brought him fans from around the world. He is a renowned interpreter of Gershwin on the piano, also conducts and he has turned his hand to composing - his first work was published in 2001. In conversation with Sue Lawley, he talks about his life and work and chooses eight records to take to the mythical island.
[Taken from the original programme material for this archive edition of Desert Island Discs]
Favourite track: Gershwin's Piano Concerto in F by George Gershwin Book: Grove's Dictionary of Music and Musicians Luxury: A Steinway model D piano, specially conditioned to deal with all weathers
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0:00.0 | Hello, I'm Krestey Young, and this is a podcast from the Desert Island Discs archive. |
0:05.0 | For rights reasons, we've had to shorten the music. |
0:08.0 | The program was originally broadcast in 2002, and the presenter was Sue Lolly. My castaway this week is a musician. He specializes in keyboard instruments, organ and piano, |
0:36.0 | but in fact he appears to be able to play and do almost anything musical. |
0:40.0 | He conducts, composes and improves, his repertoire ranges from Bach to Gershwin. |
0:46.6 | He was born in Oldham to where his parents had emigrated from Barbados. |
0:50.8 | At the age of nine he was asked to play a chord on the organ in his local church to give the school choir their note. |
0:56.5 | It was a simple life-changing moment from which he was propelled forward to Cheetham School in Manchester, the Royal College of Music, organ scholar at St George's |
1:05.3 | Chapel Windsor and the Vienna Horshula. |
1:08.2 | Out of all of that emerged a virtuoso who never ceases to bewilder and delight in his versatility. |
1:14.0 | Currently organist in residence at Manchester's Bridgewater Hall, |
1:18.0 | he spends the rest of his time working with the world's great orchestras or giving recitals. |
1:22.0 | Music is a language he says. Music making is a |
1:25.7 | mother tongue for me. He is Wayne Marshall and it's a language which you learned |
1:31.1 | entirely instinctively way nobody talked you you just found you could communicate in it |
1:36.2 | It seemed to happen that way I mean it was you know I was very young I was three my mother was having piano lessons I was fascinated by what she was doing |
1:46.1 | and would always interrupt her practice sessions and would always somehow tell her |
1:51.2 | that she was playing wrong notes because I remembered. |
1:54.0 | You could just hear it? |
1:55.0 | Yeah, I could hear it. |
1:56.0 | You had perfect pitch although nobody would have known. |
1:57.0 | Yeah, that was it. |
... |
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