Hey, ma'am, Kent here.

But you're about to hear as a preview of what we've got going on over on the VIP Patreon

feed this week.

Support us on Patreon and get access to the feed with hundreds more episodes, throwbacks,

retrospectives, Discord access, merch perks, and tons more.

Plus, helps make sure that we keep doing podcasts.

Enjoy the preview.

We'll see you in the VAT.

And the crazy thing about Soderberg is such interesting director, filmmaker.

I don't think he gets enough credit for how innovative, eccentric,

and kind of not driven at all by the business he is. I mean, he's a real artist.

You know, even little things. Like he did, uh, Logan Glucky. Yeah. Which was successful, but like

his wife wrote that, you know, former E personality, Jules Asner was or something like that. But then,

like, she didn't put her name on it. You know,

they did it in secret. She did it under a pseudonym. He knows he does these things where he

films with, I don't know, maybe he would do, he might do a film on a Galaxy Watch 7, Matt, or

something, but he'll do it. He'll do things very small, very large. And is, I think, just as much, there was the real innovation of indie cinema in the 90s that,

you know, VHS and DVD really allowed all tours to really thrive. And he obviously burst

on the scene with sex size of videotapes, but I think he's kind of forgotten in that. When you talk

about that era, you you know you hear maybe

Tarantino obviously and Paul Thomas Anderson and Fincher and a lot of these

different directors but I mean in terms of really making the most amount of stuff

...