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It's Tuesday, December 6th, 2022. I'm Jackson Bird. Today, Candles will play stunt double for actors in a new staging of Shakespeare's most violent play. Plus, we take a detour down the path of Shakespearean conspiracies. And in other news, the moon just got its own infrastructure package. Here's some

cool stuff for your ride home. To keep audiences going to see Shakespeare four centuries

after his death, you have to get creative sometimes. Maybe you set the play in the 1950s or in the present day.

Maybe you swap the gender of all the characters, perform it in British or American Sign Language,

give it a sci-fi bent, add some augmented reality elements, an immersive, choose-your-own-adventure-adventure-set,

or situate the play in South Harlem with a community of West

African immigrants like Shakespeare in the Park here in New York did with Mary Wives of Windsor last year.

All of those examples and much more have actually been produced.

And most of the time, they can actually tie a really deep and interesting reason for their

adaptation to the original text

or to the context of Shakespearean productions in the playwright's day.

But a new production of Titus Andronicus at the Sam Wanamaker Playhouse at the Globe

Theatre in London is getting really creative.

...