4.6 • 639 Ratings
🗓️ 20 August 2022
⏱️ 58 minutes
🧾️ Download transcript
This week on The Treatment, Elvis sits down for the first time with Emmy nominee Trevor Noah, host of Comedy Central’s “The Daily Show with Trevor Noah.” Next, actor and director (and Emmy winner) Jason Bateman returns to The Treatment to talk about the choices he made for the final season of the Netflix series “Ozark,” as both actor and director. And finally on The Treat, actress Maya Rudolph talks about a Gene Wilder film that showed one of the many sides of one of her idols.
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0:00.0 | From KCRW Santa Monica and KCRW.com, it's The Treatment. |
0:14.6 | It's The Treatment. |
0:15.3 | I'm Elvis Mitchell, and my guest, Trevor Noah, has been hosting the Daily Show with, |
0:19.7 | let me check my note, Trevor Noah, |
0:21.3 | since 2015. I would thought he won an Emmy for now because I thought to win the Emmy for |
0:26.2 | Outstanding Talk Show. All you do is have an accent, but he's here to prove me wrong. He's |
0:30.1 | nominated again this year. Trevor, thank you so much for doing this. Thank you so much for having |
0:35.6 | me. No, it's really interesting because there's somebody who's a fan of yours before you started doing the show. |
0:41.5 | That's not the most interesting thing about watching you over the years doing this is that you're a really physical comedian. |
0:47.0 | On stage, you move around and you prowl and use your proximity to the audience to get response. |
0:52.4 | You're constantly reading people. |
0:54.9 | And for me, the great thing about watching the daily show is watching your evolution to the audience to get response. You're constantly reading people. And for me, |
0:58.4 | the great thing about watching the daily show is watching your evolution to being comfortable sitting in a chair for that long. It's weird. You know, you have to try and find other ways to |
1:02.4 | connect with an audience, but there's always going to be a limitation. I guess at times I think of |
1:08.6 | the little space that I'm in as being a proxy for the stage that I can't be on at the same time. |
1:13.6 | So, you know, it's a completely different discipline, but don't get me wrong. |
1:16.1 | It's definitely a different feeling that I had to get used to. |
1:19.7 | So I can imagine what it was like for you as somebody who knew my stand-up before the show. Nope, I just love that because you really got tickled by watching audience reaction and playing into that and sort of like making any room you were in feel like a room about conversation. |
1:33.6 | And so the beginning of the show, you don't fidget anymore. |
1:37.3 | You know what I think it is probably? It's also the pandemic that helped. |
1:40.7 | So I was so used to performing on stage, you know, for so long that, you know, |
1:48.8 | when I was sitting in a chair, it really felt like I was in a foreign space. And when the pandemic |
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