Threads of Power: Lace from the Textilmuseum St. Gallen, part 2, an interview with Michele Majer and Emma Cormack
Dressed: The History of Fashion
Dressed Media
4.6 • 1.6K Ratings
🗓️ 6 October 2022
⏱️ 35 minutes
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| 0:00.0 | Dress, the history of fashion, is the production of iHeart Radio. |
| 0:22.9 | With over 7 billion people in the world, we all have one thing in common. |
| 0:26.6 | Every day, we all get dressed. |
| 0:28.7 | Welcome to Dress, the history of fashion, a podcast that explores the who, what |
| 0:32.8 | win of why we wear. We are fashion historians and your hosts, Cassidy Zachary. |
| 0:38.1 | And April Callahan. Dress listeners, we hope that you are appropriately fluffed and flounced |
| 0:44.2 | for today's episode, which is part two of our discussion of the history of European lace. |
| 0:50.4 | Earlier this week, Michelle Major, Professor Emerita at the Bard Graduate Center and |
| 0:54.6 | Emma Cormick, Associate Curator at the Bard Graduate Center and NYC joined us to talk about their |
| 1:00.4 | tour de force exhibition, Threads of Power, Lace from the textile museum St. Fallon, |
| 1:05.6 | which is currently on view now through January 1st, 2023. |
| 1:09.8 | Earlier this week, Emma and Michelle chatted with us about the early origins of lace, making |
| 1:14.0 | techniques and tools as well as the power dynamics between lace makers and its wearers. |
| 1:18.3 | And today, we turn our attention to the emergence of machine-made laces and the technologies that |
| 1:22.8 | made them possible. You know, April, this is one of the core themes we export on dress, |
| 1:27.3 | and that is fashion's evolution, that is inextricably bound to technological advancements throughout |
| 1:31.9 | history. As we all know, by this point, this is one of my favorite things to talk about and never |
| 1:37.0 | stop talking about it. And also one of the reasons I actually became a fashion historian. |
| 1:42.4 | Well, you know, that and also pretty, pretty things, which we all love. But in today's episode, |
| 1:49.6 | the three of us also discuss some of our favorite objects in the exhibition of which there is no |
| 1:54.4 | dearth, a total of 275 examples of lace dating back to the 16th century, as well as paintings, |
| 2:02.4 | prints, books, tools and garments, which contextualize and evidence more than 400 years of lace-making |
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