“There Goes the Neighborhood”

And Just Like That...The Writers Room

HBO Max Podcasts

After Shows, Tv & Film

4.1 • 610 Ratings

🗓️ 10 August 2023

⏱️ 69 minutes

🔗️ Recording | iTunes | RSS

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Summary

This week, writer and executive producer Michael Patrick King is joined by Elisa Zuritsky, Susan Fales-Hill, and Julie Rottenberg, who took the reins as director for this episode. They discuss how they approached blending Carrie and Aiden’s worlds, Miranda and Charlotte’s unexpected spy caper, and LTW’s surprising news. They also explain the intricacies of bringing several stories together for a block scene. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0	Morning.
0:05.9	Aunt Miranda.
0:08.0	Wow, that's like hearing that two of my stuffed animals are having sex.
0:12.5	Five dinners with no dick is, um, how do you say?
0:16.8	Not very gay.
0:19.7	Hi, everyone.
0:20.8	This is, and just like that, the writer's room, the official companion podcast of And Just Like That from Max.
0:27.6	I'm Michael Patrick King, writer-director and executive producer of In Just Like That.
0:31.5	And sitting around the writing room podcast table with me are the people that sat around the writing room reality with me, starting
0:38.6	with Elisa Ziritsky, hello, executive producer writer, Susan Fails Hill, consulting producer, writer,
0:46.7	Julie Rottenberg, executive producer writer and, ta-da-da, director of this very special episode entitled, There Goes the Neighborhood.
0:59.6	It was written by Julie Rottenberg and Alisa Zeritsky.
1:02.7	They can't see it, but we're waving pom-poms.
1:05.9	About the title and the episode and the fact that Julie directed it.
1:09.6	Now, if you haven't seen episode nine, please turn us off and go and watch it and come fact that Julie directed it. Now, if you haven't seen episode nine,
1:11.1	please turn us off and go and watch it and come back and join our conversation because we have a lot
1:16.2	to say. I want to start off by saying, writers sometimes move into directing. And it's an exciting
1:24.1	thing when it happens. And it happened to Julie on this show. And I love a writer-director
1:29.0	because they come from the point of view of the writing first. Julie, how was your experience?
1:35.8	It was phenomenal, mostly because having worked with you as long as I have, I think it's been more than two decades.
1:47.2	Having watched you as a writer and a director, I had these two very different pairs of glasses, shall we say.
1:56.9	And I remember you, on the first day, you were home sick with COVID.
	...

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